Wednesday, July 22, 2009
Inurl:multicameraframe?mode=.
Hello everyone .... doing my usual strolls on google, I found something very interesting and relevant I would say with my blog ... Who says that the deaf can not dance? Read here ..... The Deaf dance the "Braille"
Few know the history of deaf people, very few of their culture. Deaf people in our country developed, are considered disabled, that is disabled, ie unable to live a "normal" life. Recently on Channel 4, TV's former Berlusconi's Fininvest, 's deaf actress Marlee Matlin (Oscar-winner' s performance in Children of a Lesser God) is the protagonist of a television series titled "Reasonable Doubt" in which she plays the role of a prosecutor (state attorney) sordo.Molti believe that the Deaf signers can not do the Lawyers, denies this show. And it's not only show ... In the U.S. there is an 'important Lawyers Association of the Deaf who exercise regularly (with the help of professional interpreters). In Italy a deaf person would be many difficulties, not only for the study, if you would become a lawyer! And if you wanted to become a dancer? Impossible, say the hearing people. But no, as well as American dance companies, existed, founded in 1967, the DEMAMA DANCE COMPANY formed exclusively by deaf dancers. This company charged Israel with considerable success in the 70s all over the world. The Company was directed by choreographer Moshe Efrati, who decided in 1975 to create a new company: 'Efrati Dance Company, with deaf dancers. In 1978 the two airlines merged and led by Efrati was born a company of deaf and hearing the call Moshe Efrati Koldmama Dance Company. Worldwide, the company has received great appreciation from audiences and critics. Deaf people involved in the dance sounds vibrated through the multiple dance techniques revisited by Moshe Efrati ritmicamente.Questa have become very prominent feature. or new form of dancing, called "Braille." Everything revolves around the vision of rhythm. Today, deaf professional dancers of the company were only three, only one of them takes part in the show and is torunée in Italy. It still justifies the name of the company (Demama silence actually means), but once the Deaf represented at least 50% of the company. Efrati, to avoid misunderstandings, keep telling everyone not to be a therapist and we also want to emphasize this fact. It is not method or treatment for "hearing" is not dance-therapy (wanting to coin a term similar to the music therapy!). Instead, it is a company with professional deaf dancers who dance like all the others, no particular reason. Not even to show the world that deaf people can, like the deaf, exercise any profession. However the fact remains, enjoyable for us because it confirms what has long argued, that before saying to the deaf that is impossible for them to do upon any one thing, it should be well riflettere.I deaf dancers of this and other companies are the living answer to what the hearing, which still are surprised, unaware of the deafness and the potential (intellectual, cognitive, professional, creative ...) of deaf people. Even the Deaf Italians have a new opportunity to reflect ... So far they have agreed to be "inferior" to accept their "disability" and therefore believe that hearing can not perform certain jobs. Perhaps it is the case for review, and forever, these PREGIUDIZI.Lo spectacle of Israeli company is called Y BACK CAMINA and was presented successfully in Mexico. The story belongs to history and Jewish Culture, is the story of Sephardic Jews, the Jews of Spain, which dates back to 1492 (year of the discovery of 'America, but also the year of the expulsion of English Jews because of the' Inquisition). In the show it represents the figure of 'wandering jew walking and walking, as the voice of Yossi Banai (famous Israeli actor) between the sheet music you listen to music in English-Sephardic-Jewish, and Italian translation approximate. Unfortunately, the show is aimed at deaf and text has no translation in Sign Language to enable deaf people to understand it. However, even the deaf can really appreciate the original, because few know the languages \u200b\u200bcitate.Accanto the music and sounds (and sound Demama Kol means, as already mentioned is the Silence) creates a special atmosphere. Because they thought of it that the show is not aimed at deaf people, has no such intention. Our deaf friends can still appreciate the language of modern dance, full of symbolic movements (toward the earth, the dust that Jews stand up while walking your eyes look down with his head down, but perhaps the heart sails between the hopes .. . and the dance steps may redeem the condition of the oppressed and persecuted in a bound, in a sign-up, 77 times and forever free to the sky). Consulates Mark (July 1993, during the tour of Italy in the Israeli dance company).
In my opinion because everyone can dance .. dance .. dance music is something that you have inside, is a melody that everyone keeps in his heart!
Tuesday, July 21, 2009
Motorola Remotes Star Choise
positive review: One of the blogs that I liked most was Shout Annamaria Morelli. I found the blog interesting from the point of view argued that strutturale.Per that about the thing that we can say that is a topic attracting the attention of all, is a blog where everyone can express their opinion which it can express its SHOUT! In my opinion the idea of \u200b\u200bAnna was very original, with its desire to communicate was able to involve and encourage us to work!
at the structural level is also done well: they are present many gadgets: google adsense, polls, talk, playlist.
then add that to appreciate his commitment and his originality.
negative review : The blog which I think is poor at both argued that structural is Corner smiles of my Mariavalentina Gedeone.Naturalmente merely be a review by anyone not familiar, but the topic is not found competente.Ho
underdeveloped, although it could be an original idea ... because let's face it
in today's world we all need a smile! On a structural level, moreover,
is no gadget in fact we do not find any survey, playlists, blogs.
Friday, July 17, 2009
Duoderm Patch Is There A Smell With The Patch
Carla Fracci: If I say I give emotions, THEN I AM HAPPY. Means that they are helpful
"In our work must always be" new "and ready to challenge: I have danced hundreds of shows, I have spent thousands of shoes from dance, I traveled miles and miles on the wood of the stage, I traveled a lot, but every time, for me, is almost a debut . "
Bella raga ... v cme up? I'm writing from Sardinia, I'm 19 years old and I break from the beginning of '
summer ... before I was just watching and tried to step qulke
home alone ... then one day m sn put in a game and you know cs? HO WELL DONE ... nn cs there is more gratifying and break dance ... unfortunately I'm part of nex nn xke crew in my country we are only 2 breaker ... but ... No nothing in the end, the important thing is not dance? ! Bella raga ... peace!
Hello everyone! Sn Jade and I live in Verbania
in Piedmont! My biggest passion is the HH, but my thinking is bullshit ke ke growing and I will pass this phobia. Nn m xmess never have to dance, but when I turned 18 I started to secretly attend a free course taught by an ke my friend dancing at the gym! sn happy now, and I'll just dance well I will tell my x ke show them they were wrong! A ke sn in my situation ... NN give up and will pursue this passion! Peace! SkyFly89
Blueprint For Wooden Bench
the history of dance on TV Dance
Following the advice of some of my colleagues, and after I recorded a little bit .... I would like to offer you the history of dance as it is ... evolved over the years ... Then we take a trip back in time ... in time of the dance!!
Dance is defined by Curt Sachs: the mother the arts. In the most ancient civilizations, it is always a factor in the life of a social group. Primitive man expressed any fundamental dancing community events: births, deaths, marriages. The dance is primitive warrior dance, dance magic, dance, sacred dance of fertility is still an activity that has always ritual character, which arises as a representative of the events of the life of the tribe. In the archaic society is essential to its value as a mode of expression of religiosity, its existence as a form of contact with the unknown, superhuman with the laws that govern the cycles of nature: it is the language used by primitive man to express the irrational , the trascendente.Nella our Western civilization, which is based on a rationalist culture, abstract, mathematicizing, once scientific and technological developments, the artist has the task of conveying to others what eludes the artificial structure of reality that man is built to dominate the environment that circonda.La Western theatrical dance, namely the spectacular manifestation of this art, conceived and structured to be represented in front of an audience in the history of European culture of four centuries is mostly identified with the classical form of ballet, a genre that has taken on a specific aspect from the point of view of motion modules adopted (the academic technique of ballet) and from the structural point of view (a certain conception of the choreographic design, the relationship dance - staged) and finally from the perspective of the issues addressed (the contents fable, the themes of evasion of reality) . It is important to note that only the early twentieth century it has been challenged by the current renewal of theatrical dance that goes by the name of "modern dance". This current is not equivalent to a single style of dance: on the contrary, it is a trend which will include a variety of techniques and styles. But the different experiences of modern dancers can be placed in a current unit, because of the sources they have in common: that to say the same determination to find the original forms of expression, beyond the artificial and static patterns imposed by the long tradition of ballet classico.Dal formal point of view, the cultural tradition of the ballet consists of a code of movement defined and structured in accordance with rules set: the technique of classical ballet is made up of steps, figures and locations, encoded in a fixed vocabulary of movement patterns. The confirmation of this traditional technique is therefore in a formal language that exists before the dancer, not the artist to create their own code, but vice versa is the code to form the artist. This issue is of fundamental importance to clarify the differences more decisive between classical ballet and modern dance: while the former always uses a single language, the second vice versa consists of a multiplicity of different languages, as each artist creates his code to comunicare.Vi is therefore a continuous trend to return to the body its actual size of free creatività.A this regard, however, requires a fundamental consideration: to speak of two distinct parts of the self, body and spirit, is equivalent to the full acceptance of the secular Christian postulate that separates the individual soul and body, without Learn to see the continuity. The dance, in its broadest sense and spontaneous, is the radical negation of this dualism, which had the crucial role of conditioning much of the thought and culture occidentali.Basta a look at the history of dance in order to understand how this form of expression has suffered the influence of a morality that for centuries have imposed the contempt and frustration from the fisico.A Fall of the Roman Empire we see a depletion of extreme forms of dance since the fourth century, during the period of the Christian emperors, all activities of theater and dance is considered immoral and are denied baptism to all those who assist or participate. In 398, the Council of Carthage, threatened with excommunication for those who attend theater and bank holidays. St. Augustine calls the dance "wanton folly, my word." In the context of evolution aesthetic spirit that marks the transition from medieval to classical culture of the fourteenth century, the dance of avoidance begins to flourish again in the "dance songs" thirteenth century, which are performed in Italian and French courts, this resurgence is just one aspect of the new cultural trends. In the sixteenth century, the dance begins to transform into a ballet, in the event that self-organized according to very specific aesthetic, choreographic schemes governed by and intended for performance in front of an audience. This form of play, which starts off in Italy, is defined in accordance with rules aiming to research. differentiation more pronounced against all forms of dance indiscriminata.Mentre instinctive and therefore the assets of folk dance will be almost unchanged over the centuries (and of course in substance not in form, which on one side inevitably suffers the influence of civilization, and the other at least partly influenced by the systematic tax to dancing by the cultural needs of the ruling classes), dance Journal, is now considered worthy of having his story and his ballets teoria.I the sixteenth and seventeenth century have a dual function: on one hand are the means of escape for the principles of the time, hobbies empty, frivolous entertainment courtiers who find their expression in carnival mask or bland satirical allegory, on the other, their fundamental purpose is to be the servile flattery Prince, the praise stesso.Nel end in 1661 Louis XIV founded the Académie Royale de Danse, this is the golden age of the academies, which also saw the birth of the Academie Francaise for the language and the Academie Francaise de Peinture for painting. This phenomenon, in the dance as well as in other fields, would eventually separate into an increasingly stressed the technical component, instead of being merely a means to reach a different result, would become an end in stessa.Nasce a new sense of movement banning all forms of dance from the roughness. Do not rely on anything impulse and improvisation: what matters is the perfect design on the basis of a theoretical pre-code. He was born so the ballet classico.Da this time the most illustrious of Western theatrical dance began to build his story: a story in which the dance is primarily an aesthetic phenomenon that tends to ignore the significant events of life in the concrete sense, taking shape as a 'art of escapism reserved for an elite of this culture.
Following the advice of some of my colleagues, and after I recorded a little bit .... I would like to offer you the history of dance as it is ... evolved over the years ... Then we take a trip back in time ... in time of the dance!!
Dance is defined by Curt Sachs: the mother the arts. In the most ancient civilizations, it is always a factor in the life of a social group. Primitive man expressed any fundamental dancing community events: births, deaths, marriages. The dance is primitive warrior dance, dance magic, dance, sacred dance of fertility is still an activity that has always ritual character, which arises as a representative of the events of the life of the tribe. In the archaic society is essential to its value as a mode of expression of religiosity, its existence as a form of contact with the unknown, superhuman with the laws that govern the cycles of nature: it is the language used by primitive man to express the irrational , the trascendente.Nella our Western civilization, which is based on a rationalist culture, abstract, mathematicizing, once scientific and technological developments, the artist has the task of conveying to others what eludes the artificial structure of reality that man is built to dominate the environment that circonda.La Western theatrical dance, namely the spectacular manifestation of this art, conceived and structured to be represented in front of an audience in the history of European culture of four centuries is mostly identified with the classical form of ballet, a genre that has taken on a specific aspect from the point of view of motion modules adopted (the academic technique of ballet) and from the structural point of view (a certain conception of the choreographic design, the relationship dance - staged) and finally from the perspective of the issues addressed (the contents fable, the themes of evasion of reality) . It is important to note that only the early twentieth century it has been challenged by the current renewal of theatrical dance that goes by the name of "modern dance". This current is not equivalent to a single style of dance: on the contrary, it is a trend which will include a variety of techniques and styles. But the different experiences of modern dancers can be placed in a current unit, because of the sources they have in common: that to say the same determination to find the original forms of expression, beyond the artificial and static patterns imposed by the long tradition of ballet classico.Dal formal point of view, the cultural tradition of the ballet consists of a code of movement defined and structured in accordance with rules set: the technique of classical ballet is made up of steps, figures and locations, encoded in a fixed vocabulary of movement patterns. The confirmation of this traditional technique is therefore in a formal language that exists before the dancer, not the artist to create their own code, but vice versa is the code to form the artist. This issue is of fundamental importance to clarify the differences more decisive between classical ballet and modern dance: while the former always uses a single language, the second vice versa consists of a multiplicity of different languages, as each artist creates his code to comunicare.Vi is therefore a continuous trend to return to the body its actual size of free creatività.A this regard, however, requires a fundamental consideration: to speak of two distinct parts of the self, body and spirit, is equivalent to the full acceptance of the secular Christian postulate that separates the individual soul and body, without Learn to see the continuity. The dance, in its broadest sense and spontaneous, is the radical negation of this dualism, which had the crucial role of conditioning much of the thought and culture occidentali.Basta a look at the history of dance in order to understand how this form of expression has suffered the influence of a morality that for centuries have imposed the contempt and frustration from the fisico.A Fall of the Roman Empire we see a depletion of extreme forms of dance since the fourth century, during the period of the Christian emperors, all activities of theater and dance is considered immoral and are denied baptism to all those who assist or participate. In 398, the Council of Carthage, threatened with excommunication for those who attend theater and bank holidays. St. Augustine calls the dance "wanton folly, my word." In the context of evolution aesthetic spirit that marks the transition from medieval to classical culture of the fourteenth century, the dance of avoidance begins to flourish again in the "dance songs" thirteenth century, which are performed in Italian and French courts, this resurgence is just one aspect of the new cultural trends. In the sixteenth century, the dance begins to transform into a ballet, in the event that self-organized according to very specific aesthetic, choreographic schemes governed by and intended for performance in front of an audience. This form of play, which starts off in Italy, is defined in accordance with rules aiming to research. differentiation more pronounced against all forms of dance indiscriminata.Mentre instinctive and therefore the assets of folk dance will be almost unchanged over the centuries (and of course in substance not in form, which on one side inevitably suffers the influence of civilization, and the other at least partly influenced by the systematic tax to dancing by the cultural needs of the ruling classes), dance Journal, is now considered worthy of having his story and his ballets teoria.I the sixteenth and seventeenth century have a dual function: on one hand are the means of escape for the principles of the time, hobbies empty, frivolous entertainment courtiers who find their expression in carnival mask or bland satirical allegory, on the other, their fundamental purpose is to be the servile flattery Prince, the praise stesso.Nel end in 1661 Louis XIV founded the Académie Royale de Danse, this is the golden age of the academies, which also saw the birth of the Academie Francaise for the language and the Academie Francaise de Peinture for painting. This phenomenon, in the dance as well as in other fields, would eventually separate into an increasingly stressed the technical component, instead of being merely a means to reach a different result, would become an end in stessa.Nasce a new sense of movement banning all forms of dance from the roughness. Do not rely on anything impulse and improvisation: what matters is the perfect design on the basis of a theoretical pre-code. He was born so the ballet classico.Da this time the most illustrious of Western theatrical dance began to build his story: a story in which the dance is primarily an aesthetic phenomenon that tends to ignore the significant events of life in the concrete sense, taking shape as a 'art of escapism reserved for an elite of this culture.
Tuesday, July 14, 2009
Soul Eater Doujin On Line
In dancing as in life you have to make enormous sacrifices .... you have to do everything with passion ... even in the dance, there must be collaboration and things should not be done just to be made .... a word to the wise
Park Bench Instructions
Dancing is a wonderful thing .. I danced when I was younger ... I did not do ballet but ballroom dancing is but still ... When you feel
dancing in another dimension ... is one of the most beautiful things in the world, gives you a unique feeling that if you can not dance do not understand.
E 'be carried away by the fabulous music ... but unfortunately now also a marvelous art such as dance has been corrupted and tainted by the TV!
Friends ... Just think of that bitterness! Horrible from an image of the dance (in fact, everything in general) ... dance that is not true, in that program (if so it is) to fight other people think that dancing ... that sucks! yes because even if the program is a program in which there are two teams competing, I think there competing, competition, etc. are fed too .... and the saddest thing is that to give an image so bleak dance are also professors .. and so the people who watch that crap does not perceive the true beauty of this art is unique in the world ...
Boh however after my account, I propose to you a funny video about the dance ...
What Do Do Ate Expired Chicken
Michael Jackson and his steps ....
Michael Jackson was also a dancer.
His talents established themselves in the period with the Jackson 5 premises of Gary (the town where Michael was born) and further refined. Michael
invented the robot dance at the age of 11 years, but the dance steps that would make him famous around the world is the moonwalk (walk on the moon in Italian).
This step had boosted sales of the album Thriller of tens of millions of copies.
Over the years Michael had perfected the moonwalk increasingly to improve the Dangerous World Tour, in that same period invented the Sidewalk (the moonwalk side) that would run mainly along the moonwalk at the end of Billie Jean.
There are many steps devised by Jackson, another step of them is the famous anti-gravity motion video of Smooth Criminal where Michael is 45 °.
In the video, he used the ropes, but to do everything in live, used shoes changed, which held the patent, which allowed a hook protruding from beneath the stage of hook (this is not seen, because before the hooks are visible, a dancer walks in and throws a smoke bomb). Despite the presence of hooks, it is difficult to perform the movement on the ground that to bring the body into balance, you must have great strength in the muscles of the legs and back.
Another step is the Skywalk ( presented the MTV Video Music Awards 1995) in which Michael gave the illusion of walking on air. 
Michael Jackson was also a dancer.
His talents established themselves in the period with the Jackson 5 premises of Gary (the town where Michael was born) and further refined. Michael
invented the robot dance at the age of 11 years, but the dance steps that would make him famous around the world is the moonwalk (walk on the moon in Italian).
This step had boosted sales of the album Thriller of tens of millions of copies.
Over the years Michael had perfected the moonwalk increasingly to improve the Dangerous World Tour, in that same period invented the Sidewalk (the moonwalk side) that would run mainly along the moonwalk at the end of Billie Jean.
There are many steps devised by Jackson, another step of them is the famous anti-gravity motion video of Smooth Criminal where Michael is 45 °.
In the video, he used the ropes, but to do everything in live, used shoes changed, which held the patent, which allowed a hook protruding from beneath the stage of hook (this is not seen, because before the hooks are visible, a dancer walks in and throws a smoke bomb). Despite the presence of hooks, it is difficult to perform the movement on the ground that to bring the body into balance, you must have great strength in the muscles of the legs and back.
Another step is the Skywalk ( presented the MTV Video Music Awards 1995) in which Michael gave the illusion of walking on air.
Monday, July 13, 2009
What Size Does Watercolor Paper
Michael Jackson was an excellent and innovative dancer. Since the days of the Jackson 5 to 11 years, invented the robot dance. The dance step that made him famous around the world is the moonwalk at the show celebrating 25 years of the Motown label, to the tune of "Billie Jean." Michael continued to improve this step also inventing variations such as the sidewalk ( monnwalk side). Another step is the famous anti-gravity motion of the video for "Smooth Criminal" in which Michael Inclined 45 °, although this was helped by this movement, hooks and / or cables is still very difficult. MTV Video Music Awards in 1995 proposed the Skywalk which Michael gave the illusion of walking on air.
What Does A Polyp On The Sphenoid Sinus Mean
I want to dedicate a small space to a "hero" of dance and music!
Michael Jacks 
No ...
No ... 
Monday, July 6, 2009
Polaris Snowmobile Speedometer Earing
CHOCOLATE NEWS: ADVERTISING 'AND PARTY IN THE SQUARE 2009
This year the gazebo Dealers PINETA Committee was present at St. Peter Patron Saint, by publicizing the shops in the country that have endorsed the 2008/2009 membership and giving citizens sympathetic personal gadgets.
The appointment is the next initiative planned for July 18, 2009, from 16.00 to 24.00:
COMMERCIAL-SPORTS EVENT - MUSIC
PINETA The Council Committee is collecting these days the membership of licensed traders Gravellona Toce to "bring the negotiations to the streets" in a day - the container, which provides:
"THREE BASKETBALL TOURNAMENT"
OF TRADE OF THE COUNTRY THAT STANDS exhibit their wares
DISCO-MUSIC EVENING WITH JAY DEE-UP TO 24.00.
BE PRESENT:
PHOTOGRAPHER OTHER FRANZ
GRIS
TG SPORT CLOTHING & FASHION
THE CHEESE SHOP NEW RAINBOW
THE BEAUTY OF HOLIDAY
PAUL ACCO PUBLISHER
BRIO
CLOTHING CONFECTIONERY STATIONERY Cartabbia
MERIS
THINGS Laila F. LLI
CENTROMODA DONINI
MANUELA
FOOD BAR HOPE 
This year the gazebo Dealers PINETA Committee was present at St. Peter Patron Saint, by publicizing the shops in the country that have endorsed the 2008/2009 membership and giving citizens sympathetic personal gadgets.
The appointment is the next initiative planned for July 18, 2009, from 16.00 to 24.00:
COMMERCIAL-SPORTS EVENT - MUSIC
PINETA The Council Committee is collecting these days the membership of licensed traders Gravellona Toce to "bring the negotiations to the streets" in a day - the container, which provides:
"THREE BASKETBALL TOURNAMENT"
OF TRADE OF THE COUNTRY THAT STANDS exhibit their wares
DISCO-MUSIC EVENING WITH JAY DEE-UP TO 24.00.
BE PRESENT:
PHOTOGRAPHER OTHER FRANZ
GRIS
TG SPORT CLOTHING & FASHION
THE CHEESE SHOP NEW RAINBOW
THE BEAUTY OF HOLIDAY
PAUL ACCO PUBLISHER
BRIO
CLOTHING CONFECTIONERY STATIONERY Cartabbia
MERIS
THINGS Laila F. LLI
CENTROMODA DONINI
MANUELA
FOOD BAR HOPE
Friday, July 3, 2009
Financial Accounting Mcgraw Hill Libby Answers
"Music and dance simulate and resemble a divine language and refer
then that word is not said, what the verb
could not express. "
Franco Larocca
then that word is not said, what the verb
could not express. "
Franco Larocca
" When words are not enough to communicate, so here we are offered new tools as mediators of our thoughts, of our state of 'mind, such as music and dance.
music and dance do nothing but bring in a dimension that transcends time and space. And they are always music and dance that we tear the tears, we rejoice in the celebrations, solemn rituals, move to war, relieve pain, soften the hearts, inspire fear, to awaken old memories. "
Franco Larocca, in "Dance and music as teaching devices"
think so it is time to leave the word to your images, or rather the music of Luciano Ligabue with his songs that has managed to make us dance and at the same time to communicate his message.
Wednesday, July 1, 2009
Cooking Oil Disposal Dallas
Digital identity card
1995: My sister and I we can have a Nintendo .. between challenges and overcome challenges .. so we spend our days!
2008/09: Greatest invention of facebook ... the first day and night periods attached to the computer ... start to use the internet more easily ... thanks to some courses taken at university I started ... to do things that you think you can do ... for example, create maps with the Google search engine, blog .. wondering to myself ... well now I can say that I was born in 'period .. right up to some time ago I had some doubts ..!:-)
Digital identity card
1988: A beautiful spring day .. namely April 15 .. a girl .. I came into the world!
1990: Beginning to have my first relationships with technology, even though I was not aware, thanks to the first movies made with the camera .. a little outdated but working!
1995: My sister and I we can have a Nintendo .. between challenges and overcome challenges .. so we spend our days!
1998:''cosino''entrò A small part of my life ... ... TAMAGOGY a small dragon named Safi ... .. but since the technology is still evolving after a spent some time in the background ...
1999: and so after insisting for months and months ... finally''''Santa Claus brought me a playstation 1 .. can not believe it .. so beautiful! Hours and I was hours playing ...
2000: The first computer ... let's say you took up half my desk ... and the first steps in the web ... not much ... but I understood that we explored ... surfing ...
2001: And here's my first cell phone .. a beautiful brick ... .. quiet .. a Philips over time I have modernized ... .. I have had several phones but lasted little more than one .. :-)
years2002/05: In this' no longer has to have had many contacts with the technology ... apart from some research on the Internet for school .. I preferred the old media communication ... not really the''pigeon''... but paper and pen ...
2007: First year university ... after several months I managed to convince me by my sister and I made my first and only contact msn ... then the first examination of computer ... my mother first, everything seemed Arabic. .. I signed in to Google Talk also to keep in touch with colleagues and to have information on examinations, timetables ...
2008/09: Greatest invention of facebook ... the first day and night periods attached to the computer ... start to use the internet more easily ... thanks to some courses taken at university I started ... to do things that you think you can do ... for example, create maps with the Google search engine, blog .. wondering to myself ... well now I can say that I was born in 'period .. right up to some time ago I had some doubts ..!:-)
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